Bringing the trilogy of Audio Recording 19 reviews to a close, Mark D Price rejects the instant gratification of the modern ‘hit’ in favour of a patient, analogue conversation. He frames the album as a velvety journey through inner landscapes and Celtic overtones, where silence and empty space are as vital as the music itself.

Joshua Ben Joseph provides us with these ‘Sketchy Impressions’ of Robert Paul Corless’s latest work. It is a raw, literate, and deeply personal dispatch from the ‘silent hill’—a perspective that finds the beauty in the gloom of a doomed Mamucium.

Opening our trilogy of reviews for Audio Recording 19, Andrew James Barclay explores a work of empirical elegance and celestial reach. He imagines Corless as a solitary creator at the edge of the universe, sending musical radio waves back to Earth from a studio existing outside of time.